At the beginning of our shots we would like some dialog of a conversation between Stan and his mother. We want the dialog to be brief and unclear, but loud.
The when our characters set out on the country roads we want to have a few short shots of them in the car, with digetic music playing; that they themselves our playing in the car, singing along to.
We want something to resemble a nursery rhyme, which sounds happy and calming, but when paired with what we are presenting visually, our setting along with the facial expressions of our characters and the quick cuts it could be interpreted as creepy and unsettling. We are doing this to create tension, but make this tension even more unsettling as nothing is clear; no body knows whats going to happen, or who is going to turn up.
I gave him
reason to open up to me
just like that I know his heart ,
and like that his
heart had broke right in front of me
and I must now pick up the pieces that
are his heart ;
I hath fallen in love with all
his honesty and honour true
with the heart to hold on to all the people whom he
held dear in all the world.
His mournful cry
leaves my heart breaking
like a wine glass in an earthquake ,
even if he's
grieving over someone close to him
I shall not leave and abandon him to fates
foolish luck ;
but thats just fine because my love for him
is strengthened by tears such as his
and I will not be pushed away from him
by his fierce tears of grief.
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- We liked the idea of having a voice over in our trailer as they are often used in thrillers to set the mood of the film.
This shows your ideas really clearly, Amelia. Try to add some audio snippets to your blog once you start creating the sound to show the development of your soundtrack.
ReplyDeleteMrs H